Cent mille

façons de Parler

premiere, 26 November, 2021 - Espaces Des Arts, Chalon-Sur-Soâne

Cent Mille Façons de Parler is inspired by the love poems of the Persian poet Jalal Al-Dīn Rūmī. Away from the sublime and the romantic conceptions of love, this work acknowledges love as an action of being, a force of presence and a drive for change. A moment of creation that carries within itself another moment of destruction and collapse. Love is at its extreme, in its becoming a drive. Motivation is courage, it is the ability to be with one another, to trust the process and go through the realm of life that is 'the continuously shifting and spiraling'.


Choreographer Omar Rajeh Assistant Choreographer Mia Habis Dancers Emma Dufief, Charlie Prince, Antonia Kruschel, Nunzio Perricone, Elise Bruyère, Francesco Ferrari Music Composition Joss Turnbull ( percussion), Charbel Haber ( electric guitare) Ghalia Benali (Voice) Paper folder Alexis Merat Costume Designer Marcus Barros Cardoso Light Designer Guy Hoare Technical Director Christian François Sound Engineer Jean-Christophe Batut Stage Manager Cyril Casano Administrator Bruno Viguier Production Coordinator Chafic El Hallal Photo Credit Wilfrid Haberey | Julien Piffaut

A production Omar Rajeh | Maqamat | Co-produced by  Espace des Arts – Chalon-sur-Soâne | Maison de la Danse, Lyon | CCN2 –Centre chorégraphique national de Grenoble | Centre Chorégraphique National de Franche-Comté à Belfort | L’Esplanade du Lac, Divonne-les-Bains Creative residency at Cie La Baraka / La Chapelle - Abou Lagraa & Nawal Aït Benalla Citerne Beirut | Studio Chatha Lyon / Aicha M’Barek & Hafiz Dhaou with the support of the Goethe Institute / Lyon 

Maqamat is supported by Direction régionale des affaires culturelles d’Auvergne-Rhône-Alpes au titre de l’aide à la structuration, DGCA/ Ministère de la Culture and La Ville de Lyon

“Let the beauty you love be what you do”- RUMI

a short video teaser here

  • " Ue pièce (...) où il sera question d'amour, de passion et de désir, dans une gestuelle qui s'inspire de certaines miniatures persanes, où les corps se nouent délicatement ou s'étreignent avec force."

    Thomas Hahn, Danser, 2021

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